Connect with us

Headlines

How a Degrassi child star became a leading academic voice on legalizing weed

Editor

Published

on

[ad_1]

When Rebecca Haines-Saah was 13, she saw an ad in the Toronto Sun looking for teenagers to star in what would become a cult classic Canadian TV show. Having experience in dance and theatre — she already had an agent — she showed up to the audition with a pink, cable-knit sweater and loads of teenage ambition.

The show was Degrassi Junior High, the drama that dealt with teen pregnancy, underage drinking and drug use. For many children growing up in the 1980s, it would become a cultural treasure.

Haines-Saah didn’t get the part of Melanie Brodie, whom she had auditioned to play, but the show’s writers were so enamoured with her acting chops that they created a new role for her: Melanie’s best friend, Kathleen Mead. The so-called Wicked Witch of Degrassi.

While Haines-Saah played the character for five seasons, she didn’t go on to become a professional actor. Instead, she reinvented herself as an academic. But the parallels between her childhood job and her career as an adult are all the more striking.

This episode of Degrassi Junior High is the first appearance for Kathleen Mead (blue sweater), played by Rebecca Haines-Saah. Joey Jeremiah ends up selling them vitamins as drugs. 1:08

The woman who played a teen experimenting with drugs, dealing with anorexia and coping with a mother addicted to alcohol now researches youth substance use and mental health at the University of Calgary.

The child star whose character once brought pot to a birthday party, grew up to become a leading academic voice in Alberta on the value of legalizing cannabis, arguing that jailing users created more harm than the drug itself.

“It’s that approach to engaging youth voices and putting youth stories at the centre, that really shapes my work,” says Haines-Saah, who teaches in the department of community health services and works with youth on video and photo projects to help share their stories.

Youth have something valuable to say

“That’s really a Degrassi-style approach to storytelling and to thinking youth have something valuable to say. If we want to help youth in any way, we need to talk to them and understand how they see the world, not our adult-centric perspective on life.”

Haines-Saah grew up in Toronto’s Regent Park, where she saw the rise of the crack epidemic, with people using and selling drugs, and engaging in sex work around her doorstep. She left that same stoop every morning to film on set, but she couldn’t get a taxi to drop her off close to home at day’s end, because of the way her neighbourhood was viewed.

Kathleen Mead had a streak of mischief. In this episode, she brings 2 joints to a birthday slumber party. 0:30

“I had this dual experience growing up, and it really did inform how I approach people who use drugs, the compassion that I think we need and why I challenge stigma,” she says.

There are some notable contrasts between her and the character she played for most of her teenage years.

Haines-Saah is warm and engaging. To be charitable, Kathleen was cold. A harsher assessment might peg her as a snooty mean girl. But her hostile demeanour was often a defence mechanism against her peers prying into her personal life, especially her troubled home.

She was a trivia master who wanted to excel at school and, most of all, make her parents proud. She once produced a science project with her bestie Melanie about the dangers of pollution and acid rain, and was crushed when it didn’t win at the school science fair.

Character could be mistaken for a nerd

Kathleen could have been mistaken for a nerd if it weren’t for her streak of mischief. In one episode, she finds a pair of cannabis joints and shares them with friends during a birthday party sleepover. The drama takes a turn when Melanie gets so high she reveals some of Kathleen’s deepest, darkest secrets, including that she’s in counselling.

“Kathleen, I don’t see what the big deal is,” her best friend blurts out. “You had anorexia. Your mom is an alcoholic. And your boyfriend beat you up. Most people would need counselling for even one of those things.”

Kathleen Mead had a reputation for being cold, including in this episode about a trivia contest. Haines-Saah says she sometimes had a hard time convincing fans she’s not the “evil character” she played on TV. 0:44

Despite her hard exterior, the character resonated with Haines-Saah, given that Kathleen’s home life “isn’t that far off from what many kids experience,” and given her “remarkable resilience” to all those challenges. Still, the actor sometimes got heckled on the streets of Toronto over her character’s harsh disposition.

“The male castmates had fun,” she says. “They had teenage girls chasing them around, trying to get into their hotel rooms and date them.

“I just got yelled at and called names.”

Haines-Saah starred in Degrassi Junior High and Degrassi High, along with a single appearance on Degrassi: The Next Generation. As a young Canadian actor, she didn’t lead a lavish life of luxury.

Awkward moments, worst hairstyles forever captured

“I don’t think I ever really experienced that type of uber celebrity that child stars have now, and in many ways I’m thankful for that,” she says. “But I have some of my most awkward teenage moments and worst hairstyles forever captured on film for everybody to see.”

While she played a young student, she missed three or four months of school a year. Her mom told her if her average fell below 80 per cent, she had to quit the show.

Rebecca Haines-Saah argues cannabis prohibition and scare-tactic campaigns like the poster hanging in her office did not stop youth from smoking pot. She says the policy did more harm than the drug itself. (Reid Southwick/CBC)

“I literally had a tutor driving me around on geography field trips around Ontario to look at granite outcrops and all kinds of other ridiculous things on the weekends,” she says. “I’d be writing a chemistry exam on set at 7 a.m. supervised by a production assistant and then sending it over to the school.”

Academics were always important. She had read somewhere “if you could picture yourself being happy doing anything other than acting, you should go and do that thing.” So she enrolled at McGill University. She was initially in communications, thinking she’d get into journalism or film production, but she fell in love with research and writing papers, later shifting her focus to youth drug use.

Putting youth at the centre

“It’s no accident that I became a youth substance use researcher,” she says on a University of Calgary video about legalizing cannabis, “because I started out as an actress on the Canadian television series Degrassi.

“What was so unique and different about Degrassi, compared to other television for young people is that, in the Degrassi storylines, youth always solved their own problems … and that’s definitely the approach I take in my research, is amplifying youth voices and putting youth at the centre.”

[ad_2]

Source link

قالب وردپرس

Headlines

Clark: Preserve Ottawa’s Kilmorie house as a heritage and cultural hub

Editor

Published

on

By

On Thursday, Nov. 14 at 9:30 a.m., the City of Ottawa’s planning committee votes on an application to approve a subdivision for a unique property at 21 Withrow Ave.

Kilmorie, a unique historic property, is situated in the middle of the city, a block off busy Merivale Road. This piece of land is the last remaining evidence of the early settlement of Nepean. It is a landmark for the City View and Nepean community dating back to the 1840s. It is one of the area’s most cherished heritage properties.

Kilmorie house is the second-oldest stone house in Ottawa. The property still contains more than 100 mature trees in a variety of species. To enter this property is a touch of magic in a whirlwind of traffic just a block away.

In 1915, the house was bought by William Wilfred Campbell. Campbell was known as one of Canada’s renowned Confederation Poets. Some famous poems of Campbell’s that were studied in our school days and continue to be enjoyed today are: “Down the Merivale Road,” “Indian Summer” and “The Woods at Kilmorie.” “The Mother,” acclaimed internationally, was read out loud in Parliament. Campbell himself, related to the Royal Family, wrote poetry in these gardens, entertained future prime ministers and coached the young militia preparing to serve in the First World War. He was a fervent Canadian patriot and a renowned artist.

Kilmorie house is the second-oldest stone house in Ottawa. The property still contains more than 100 mature trees in a variety of species.

The City View Community Association and the Kilmorie Heritage Society have been working to save this property as a community hub and an arts and cultural centre. Other educational undertakings could be held in the gardens of heritage flowers and where citizens are welcome to sit to enjoy the surrounding natural beauty.

What does the City of Ottawa think of this idea? It thinks that a subdivision of élite homes that would sell for close to $1 million each, located on a private road, would be better use of this land. And what will happen to the Kilmorie heritage house?  It would be tucked away on a private road, where only this small group of élite homeowners would see it. This house has been a focal point of this area for almost 200 years. Are we just going to let it be hidden forever?

Joan Clark is shown at the estate on Withrow Avenue in 2016. Wayne Cuddington / Postmedia

There are many people who support the preservation of this heritage site. Is the administration of the City of Ottawa acting in a short-sighted manner? Is City Hall more concerned about profit and the taxes to be gleaned from a few more high-priced houses? Has it lost its vision of the future for our young people, who are promoters of green spaces and ecological settings?

Our councillor is currently not active. Who will advocate for us? As citizens of Ottawa, we currently have no representation at City Hall. Councillors have been assigned to help us but do not have the background needed. Our councillor, MP and MPP are all supportive. Many people at City Hall are quietly supportive. We know that they see the merit in what we are trying to accomplish on behalf of our community and our city. Do we really need another subdivision with 14 detached dwellings shoehorned into a unique plot of land that has the potential to be a special setting which values our historic heritage?

Let’s keep Kilmorie in its whole and natural setting.

Continue Reading

Headlines

Ottawa specialty bakery grows beyond owner’s dreams

Editor

Published

on

By

Much like baking, business can be a lot of trial and error before you get it right.

Six years and many sweets later, Jacqui Okum, owner of Strawberry Blonde Bakery, continues to tinker, even though the concept remains much the same.

More than a decade ago, the new vegan had been working in television in Toronto, however, she quickly ran into a problem: when it came to baked goods, she was left to make her own, as vegan-friendly options at that point were few and far between.

“I found myself making stuff at home because I still wanted to eat everything, but I couldn’t really find it,” Okum said in an interview with OttawaMatters.com.

Wanting to make a change from TV and with her new acumen for baking, Okum decided to enroll in a pastry program at George Brown College, one that included a focus on entrepreneurship.

Okum’s husband then got a job at the University of Ottawa, so she moved to the city and began to make offerings to the public, mostly through market stands like the ones at Lansdowne Park.

While her vegan offerings were popular, she began to get feedback about other products customers were looking for, including gluten-free and nut-free products.

The wheels slowly started turning.

After getting a job at Rainbow Natural Foods, Okum met her original business partner who was baking similar things, and the two decided to “go for it.”

At first, Rainbow allowed the two to bake out of its kitchen for a reasonable rate, but within six months the pair had already outgrown it, with orders surpassing space.

In 2013, the two opened their first shop on Grange Avenue in Hintonburg, which would include vegan-friendly, nut-free and gluten-free products to accommodate all dietary needs — something important to Okum.

“Being vegan myself, I knew what it was like to go somewhere and not have anything, or to have one option and it’s a sad looking option, or a piece of fruit,” Okum said.

“I’m still the person who wants the delicious cupcake or whatever it may be, so I really empathize with people who are celiac or maybe have a nut allergy. I took it really seriously.”

The challenge of making everything “just as good” as other offerings also drove Okum and she takes great pride when someone enjoys something from the bakery and doesn’t realize the limited ingredients.

“There’s nothing better. We get customers all the time where say they’re husband and wife and the wife comes in because she doesn’t want to eat gluten and the husband’s like ‘I don’t want it,’” she said. “And then he comes back and says, ‘My wife forced me to try this,’ but now he wants to come back because it’s so good. That’s the whole point of this business, is to make sure things look and taste similar to conventional bake goods.”

The passion and work to build up the offerings at the bakery has taken on a life of its own since the opening of the Grange Avenue location, which moved to Richmond Road as of two weeks ago, to include a coffee and sitting space. The business has now extended to the suburbs as well, with a Kanata location that opened this past June, with possible lunch offerings on the docket for 2020.

Okum said she couldn’t have dreamed that the venture would have been successful as it’s been so far almost seven years on.

“We have 40 employees, which is crazy to me and to think it was just me and business partner six years ago. It’s been a huge learning curve.”

When it comes to running a business, Okum offered to those looking to go down the same path to keep their minds open and to be flexible.

“What you think might happen isn’t what actually is going to happen but don’t be rigid,” she said, noting the original thought was that the bakery would mostly for wholesale use.

“Be kind to yourself, you’re going to make mistakes,” she said.

Continue Reading

Headlines

How Ottawa’s Nordic Lab is creating new opportunities for Northern art

Editor

Published

on

By

For creators living in under-served Northern communities, geographic isolation and a lack of resources present a barrier to success. But the Nordic Lab — a new initiative at the SAW Gallery in downtown Ottawa — is hoping to empower these artists by offering them a mainstage platform to showcase their craft.

The newly expanded space in downtown Ottawa now hosts artists in residence, showcases Nordic art and provides educational programs geared toward Inuit youth — all the while promoting cultural exchanges between Indigenous and non-Indigenous communities in Canada, Norway and other circumpolar nations.

The SAW Gallery’s curator, Jason St-Laurent, says the Nordic Lab is both a program and a set of physical spaces, though the public will have to wait until the spring of 2020 to view it. St-Laurent says the physical spaces will consist of “screen printing spaces and an artist residency space, which we’re naming after Annie Pootoogook,” the legendary Inuk artist who passed away in 2016.

“We’re all about being the social lubricant of the art world,” says St-Laurent. “We’re not your grandmother’s art institution.”

Tam-Ca Vo-Van stands in her bright, document-arrayed office during our interview. (Joshua Soucie)

Tam-Ca Vo-Van, the SAW Gallery’s director, says the Nordic Lab has been a long time in the making: “We have collaborated often with different Nordic embassies on special presentations. Things just came together, and our curator, Jason St-Laurent, thought of putting in place this Nordic Lab, which would bring together artists from Nordic countries and the North of Canada, and also from Ottawa, in a sort of triangular zone of collaboration.”

“We were involved, for about two years, in major renovations — an expansion of our space,” says Vo-Van, referring to the tripling of the gallery’s space to its current 15,000 square foot home in Arts Court. “We didn’t have our programming spaces for about two years, so we relaunched our facilities at the end of July, but the Nordic Lab wasn’t ready at that time, so we delayed the opening.”

The director describes the Nordic Lab as a research and production space that SAW is making available to its visiting artists. The program is also an educational space that the gallery hopes will invite artists-in-residence to get involved with the local community through initiatives such as community art projects or workshops.

The gallery’s curator and director allowed us to get a shot of the Nordic Lab’s contemporary artist-in-residence studio space while it is still under construction. (Joshua Soucie)

“At the moment, we’re working on a collaboration with an Inuit children’s centre as well as the City of Ottawa, more specifically the Community Arts and Social Engagement program, to put together workshops [for various age groups] that are coming up in November,” says Vo-Van. “With the Nordic Lab, we really wanted to involve the local Inuit community. The Nordic Lab initiative has an artistic mandate but also an educational one. We want to involve youth in artmaking. We really want to contribute to the well-being of the community in which we live, and we really believe the transfer of traditional knowledge is beneficial, especially for youth that are marginalized.”

For its Nordic Lab, the SAW Gallery will be installing semi-automated screen printing presses, which St-Laurent describes as “octopus presses” because their many arms make it simple to accomplish large-scale editions of projects, such as the simultaneous production of T-shirts, bags or prints: “Normally, when you’re hand-making it, it can take forever, but with this semi-automated press, you can do 500 no problem.”

“We’re launching a project called the SAW Art and Protest Initiative,” says St-Laurent, explaining that the project will help elevate the visual impact of political actions or protests by pairing organized social movements with artists to devise visual campaigns through merchandise that will be funded and produced by the SAW Gallery. “SAW, in its beginnings in ’73, was a bunch of activists, feminists and queers coming together to create something where people can see themselves reflected all across the gallery. We kind of wanted to go back to our activist roots, and normally, we can’t apply for funding for political anything, so now we’re using the profits from the bar to invest in our projects.”

SAW Gallery curator Jason St-Laurent. (Joshua Soucie)

The bar to which St-Laurent is referring is known as Club SAW, where gallery-goers are invited to grab a drink to sip on as they view the pieces laid out throughout the gallery. 

Despite the delay in the launch of the Nordic Lab’s physical spaces, the program is well underway. In the fall of 2018, they welcomed their first artist-in-residence, Sobey Art Award-shortlisted artist Joi T. Arcand. Club SAW therefore features a neon sign that was commissioned by the gallery over the course of Arcand’s residency. 

During her residency, Arcand took on a hybrid role with the gallery, becoming the Nordic Lab’s first program director. Arcand says she looks forward to seeing some of the international partnerships she has helped foster come to life as she moves on to her next residency at Toronto’s Harbourfront Centre.

Joi Arcand’s neon signs hang on the wall of Club SAW. (Joshua Soucie)

On November 7, SAW will be hosting an afterparty in collaboration with the National Gallery of Canada for the launch of the Àbadakone | Continuous Fire | Feu continuel exhibition, which will be showcasing the works of over 70 Indigenous artists from around the world. At their afterparty, the Nordic Lab’s second artist-in-residence, Norwegian Sámi artist Elle Márjá Eira, will be performing Joiks, which the artist describes as Europe’s oldest singing tradition.

“Joik is still a living art, and I always say that Joik is my heart language,” says Márjá Eira. “I will perform a Joik, a piece from the Norwegian feature film The 12th Man,directed by Harald Zwart. I composed that piece together with film music composer Christophe Beck. […] I hope that the audience is able to capture my feelings and stories, and that they somehow come into my world. My universe is completely different from yours.”

With its emphasis on community building and spotlight on Northern art, the Nordic Lab’s programming is sure to give its event participants chills.

Continue Reading

Chat

Trending